The World's Greatest Books — Volume 01 — Fiction by Arthur Mee and J. A. Hammerton

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Overview: A foundational anthology of Western fiction, this volume serves as a curated gateway to the 19th-century literary canon, presenting seminal works...
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effective, perhaps, than the practical popularisation of literature. In THE WORLD'S GREATEST BOOKS an attempt has been made to effect a _compendium_ of the world's best literature in a form that shall be at once _accessible_ to every one and still _faithful_ to its originals; or, in other words, it has been sought to allow the original author to tell his own story over again in his own language, but in the shortest possible space. Such a method differs entirely from all those in which an author is represented, either by one or more _extracts_ from his work, or else by a formal summary or criticism of it in a language not his own. And, since the style and language of an original is what often constitutes the wings upon which alone its thought will fly, to have access to its thought without its form is too often to possess a skeleton without the spirit which alone could animate it. Notwithstanding this, however, we are aware that even THE WORLD'S GREATEST BOOKS will not escape the criticism of a small class of people who will profess to object to this, as to any kind of interference with an author's original--in reply to which it can only be said that such objections are seldom, if ever, made in the true interests of learning, or in a genuine spirit of inquiry, and too often only proceed from a knowledge of books or love of them which goes no deeper than their title-page. For better than all books are the truths which books contain, and to condense those truths into a form that makes them available is not only to invest them with new powers and an enlarged range of usefulness, but is also not necessarily to interfere with any of those essential qualities that make up the exquisite literary flavor of a fine original. The selections in THE WORLD'S GREATEST BOOKS have been collected, and are alphabetically arranged, in ten different divisions,--namely, Fiction, Lives and Letters, History, Religion, Philosophy, Economics, Science, Poetry and Drama, Travel and Adventure and Miscellaneous Literature. An important additional feature of the work is _the brief, yet highly critical biographical and bibliographical note_ which accompanies every author and every selection throughout the twenty volumes. To this must be also added the not less important _Introductories_, and other explanations written by experts, which often accompany the selections in the text--cardinal examples of which will be found in particular in the section of Religion of this work, in the articles dealing with such subjects as the Book of the Dead, Brahmanism, Confucianism, the Koran, Talmud, etc. With respect to the selections themselves, it may be added that, even where they are derived from foreign originals, they have often been prepared from those originals rather than from any existing translations of them, as in the fine translation of Catullus by Professor Wight Duff, or the condensations from Euripides, Corneille, Kant, Tacitus, and very many more. In other cases, again, the selections have been _specially prepared for_ THE WORLD'S GREATEST BOOKS _by their authors_ or their agents, such as the two selections by Major Martin Hume in History, by Dr. Bramwell and Sir Francis Galton in Science, by Mr. Robert Hichens in Fiction, etc. From this, and still more from the list of authors itself, it will be found, we hope, that besides a completely modern aim, a distinctly proper proportion of modern literature has found a place in the work, and that the best of French, German, Scandinavian, Russian, and other authors take rank in it with American and English, as...

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Overview: A foundational anthology of Western fiction, this volume serves as a curated gateway to the 19th-century literary canon, presenting seminal works by authors like Dickens, Austen, and Hugo in condensed, accessible form.

Plot: As a compilation, it offers no singular narrative. Instead, it provides a panoramic tour of fictional landscapes—from the social intricacies of English country houses to the revolutionary fervor of Parisian streets—through expertly abridged versions of classic novels and short stories.

Analysis: Its enduring status stems not from textual fidelity, but from its cultural function as a democratizing force. Published in an era before mass literacy, Mee and Hammerton’s editorial vision created a "greatest hits" collection that introduced a burgeoning middle class to high literature. The volume is a fascinating artifact of literary dissemination, prioritizing narrative essence and moral edification. While scholars may critique its editorial liberties, its historical significance as a primer that shaped public taste and made the monumental accessible secures its classic, if unconventional, place in literary history.



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